Story

On 25 May 1758, vicar Manuel Pacheco da Cunha listed eight settlements: Cavez, Vila Franca, Ponte, Arosa, Rabiçais, Moimenta, Revoriça and Parada. He placed the church in the middle of the parish and described six chapels. The names help reveal a network of settlement; they are not a current list of administrative places.

São Gregório in Vila Franca, São Mamede in Arosa and Santa Maria Madalena in Moimenta were attributed to the abbot of Pombeiro, with their upkeep linked to the Benedictine congregation of Tibães. São Bartolomeu in Ponte had João Correia of Guimarães as patron. Responsibility for São Caetano, in Raviçais in the chapel passage, and Santa Luzia in Revoriça fell to the residents. The transcription itself uses both Rabiçais and Raviçais.

The account also describes five altars in the parish church and a brotherhood of the Souls. The parish emerges as a place of worship and collective organisation, with distinct responsibilities. The São Bartolomeu pilgrimage is mentioned for 23 and 24 August; these dates belong to the historical testimony, not to a current events calendar.

The parish’s connections went beyond its chapels. The vicar wrote that Cavez had no mail service of its own and used Raposeira’s, which he placed one league away. He also stated that the parish had no fair. These clues invite reflection on where news arrived and services gathered at that time; they neither describe current provision nor allow a league to be converted automatically into a road distance.

The legend shared by the Museum has masons try to build the bridge at Vila Franca and then beside Poço das Laranjeiras. In both places, a supernatural voice told them to move upstream. Tradition attributed it to Saint Bartholomew.

On the third attempt, the narrative places construction beside the chapel. This is a story about the memory of a place, not documentary proof of site selection or an itinerary for finding the episodes.

In another part of the tradition collected by the Museum, feeding the builders receives a miraculous explanation: springs of water, wine and olive oil emerge, and fish appear in the river. The narrative connects building effort with religious protection. Reading it beside the history of the works reveals two different ways of telling the same place.