A notebook.
Your findings.

Up to six proposals of Cabeceiras, in your own order, to do it at home, in company or on a break.

4 de 6 propostas escolhidas · faça-as ao seu ritmo.

PROPOSTA 1 DE 4 · Viajar no tempo

Try watching

Gondiães e Vilar de Cunhas · memory and landscape

A house with three granaries

In Casa de Chouzas, three 19th-century granaries join the solarengo building highlighted by the Municipality. The set approximates two functions: inhabit and guard the harvest. Instead of looking only at the main house, it is also worth recognizing the importance of agricultural support constructions. The presentation of Vilar de Cunhas places this heritage in a plateau and mountain landscape, marked by agriculture and pastoral care. The house and the granaries can be read in this work context, without the source detailing the production of each property. The dating of the house is less firm: the municipality presents it as perhaps 19th century, while assigning the granaries to the 19th century. This difference must remain visible. The photo accompanying the reading shows the portal; it does not show the three granaries. The asset reference does not confirm access to the set.

Vamos experimentar?

1. Look at the photo of the portal and list only the elements you can see.
2. Compared to the three granaries mentioned in the text: what depends on the written description?
3. Imagine a caption that distinguishes the frame of the photograph from the remaining patrimonial set.

A proposal to make at your pace, without collecting copies.

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Sources of this proposal

• Municipality — Gondiães e Vilar de Cunhas, landscape, heritage and craftsConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 2 DE 4 · Ler a paisagem pelas plantas

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Sliding crops · olive trees

One leaf, two faces

On the half slopes of Cabeceiras, the municipal portrait includes olive trees. The cultivated olive tree has grey-green leaves on top and silver-gray under it, where there are hair. The small flowers feature four white petals attached to the base. The fruit is olive, an oil-rich drupa. The description of the University of Évora follows the change from green to reddish and dark shades during maturation, but refers to variants that remain green even mature. Color alone doesn't tell the whole story of the fruit. From the tree to the olive oil, there is a link that can continue in reading about the Ramil mill. The record distinguishes the cultivated olive tree from the wild variety, the zambujeiro. The latter describes smaller leaves and fruits and thorny lower branches. The comparison shows why a single feature, such as the silvery leaf tone, does not solve all the differences. The olive tree is perennial: it maintains foliage throughout the year. This allows you to return to the same tree at different times and compare leaves, flowers and fruits without expecting all to be present simultaneously.

Vamos experimentar?

1. Observes the photograph: draw the contour and the central nerve of the sheet.
2. The image does not show the two sides of the same sheet. Separate what you see from what the text explains on the lower face.
3. If you observe an olive tree throughout the year, record separately leaves, flowers and fruits, without taking off material.

A proposal to make at your pace, without collecting copies.

Open a história e os seus recursos →

Sources of this proposal

• University of Évora — Virtual Museum of Biodiversity, Olea europaeaConsultation/revision: 2026-11-07
• Municipality — landscape and vegetationConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 3 DE 4 · Ofícios e memórias

Compare two portraits of Faia

Faia · sacred art, 2025

Roots and light give another life to the chapel

Olive roots shaped the new altar and the amboon of the chapel of Our Lady of Amparo. The news of the Archdiocese of Braga of 6 October 2025 attributes the work to Atelier Amadeus and describes an altar-centered remodeling. A suspended cross integrates the element called Body of Light. Pastor Rui Filipe Marques Araújo explained the symbolism of enlightenment: sets of lights refer to the Trinity, the Evangelists and the Apostles. The publication also highlights the contribution of artists, technicians, workers and community. The intervention shows a heritage that continues to receive new forms and meanings; the report of 2025 does not indicate visiting hours. The account presents the celebration as a meeting of Faia with the communities of Arco de Baúlhe e Vila Nune, chaired by José Cordeiro. The choice of roots also receives a religious interpretation: according to the parish priest, the transformation of previously discarded material expresses renewal and redemption. It is the symbolic reading attributed to the responsible in the news, distinct from the description of the materials. To understand the work, we can look at these two layers: how it was done and what meaning was given to it.

Vamos experimentar?

1. Read the history of the chapels described in 1758 and this reading about the intervention of 2025.
2. On a sheet, separate what each source describes: location and relationships with the community; materials, light and artistic creation.
3. Write down a question that remains unanswered. The old reference does not allow dating each part of the current building.

A comparison of sources to make at home; does not require access to the interior of the chapel.

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Sources of this proposal

• Archdiocese of Braga — renewal of Lady of Amparo, news of 06/10/2025Consultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 4 DE 4 · A vida que nem sempre se vê

A Transforming Family

The occurrence referred to in the environmental document

Iberian wolf

The environmental assessment of the PDM marks a pack in the territory, based on information from the ICNF. It is a reference to the ecological importance of Cabeceiras, not a promise of sighting. Knowing this presence does not require looking for animals or disseminating shelter sites. The national platform relates the scarcity of wild prey to livestock consumption and conflict with pastoral communities. It points to the protection of herds and the recovery of natural prey as complementary parts of conservation. A pack is also a changing family. The platform describes a breeding couple, descendants of different years and sometimes other related adults. The group defends a territory, but its composition changes with births, growth and dispersion. In the general cycle presented for Portugal, the cubs are born in late April or in May. During the summer, meeting places become centers of family activity; in the autumn, young people begin to accompany adults on trips and hunting. It is not an observation calendar for a concrete pack. Growing up, some youths leave the group of origin to search for territory, partner or other pack. Others stay longer when there is enough food. Therefore, a count at a time does not describe an immutable family: social life follows the annual cycle and landscape opportunities.

Vamos experimentar?

1. Draws a family group with adults and pups from the description.
2. Add arrows to represent growth and output of young people from the group.
3. Compare two moments of the drawing: what would change in a countdown?

General biology scheme; it does not represent the number of wolves in a local pack.

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Sources of this proposal

• PDM — Environmental Assessment, p. 50Consultation/revision: 2026-11-06
• Lobo-Iberico platform in Portugal — wolf prey; registration of Cabreira without date indicatedConsultation/revision: 2026-11-07
• Lobo-Iberico Platform in Portugal — Life in packConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.