A notebook.
Your findings.

Up to six proposals of Cabeceiras, in your own order, to do it at home, in company or on a break.

3 de 6 propostas escolhidas · faça-as ao seu ritmo.

PROPOSTA 1 DE 3 · Between rivers and mountains

Water that moves and water that is distributed

Saint Nicholas · hydraulic heritage inventoryed in 2008

The Peio made flour too

The Levada do Casal record notes water drawn from the Peio near Ponte do Gado, in Gondarém. The inventory describes five mills along the channel. It is a record of water-powered heritage, not confirmation that the mills operate or are publicly accessible today. The survey of 26 February 2008 identifies a channel in natural ground and two shared users: Casa do Casal and Quinta do Rapazinho, the latter with less irrigation time. It also describes the route near the Levada de Bouças and a boundary marker in Sendim placed to settle a disagreement over use. The channel carried water, but its use also depended on agreements between people.

Vamos experimentar?

1. Draw a channel and five mill symbols, such as inventory scheme of 2008.
2. Add two cards to Casa do Casal and Quinta do Boyinho, without assigning watering durations that the reading does not provide.
3. It distinguishes the physical elements of the channel of agreements between users.

Proposal on paper or on screen, from reading and its sources. It does not require visit, collection of objects or confirmation of current conditions.

Open a história e os seus recursos →

Sources of this proposal

• Municipality — inventory of taken, L1 and L18 forms (uplifts of 2008)Consultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 2 DE 3 · Read the landscape through the plants

Try observing

Hillside crops · olive botany

One leaf, two sides

The municipality’s landscape description includes olive trees on the hillsides of Cabeceiras. The cultivated olive has leaves that are grey-green above and silvery-grey beneath, where hairs grow. Its small flowers have four white petals joined at the base. The fruit is the olive, an oil-rich drupe. The University of Évora’s description follows the change from green to reddish and dark shades during ripening, but also mentions forms that remain green when ripe. Colour alone does not tell the fruit’s whole story. The connection from tree to olive oil continues in the story of the Ramil oil mill. The profile distinguishes the cultivated olive from its wild form, known in Portuguese as zambujeiro. The latter is described as having smaller leaves and fruits and thorny lower branches. This comparison shows why a single feature, such as the silvery underside of a leaf, does not explain every difference. The olive is evergreen: it retains foliage throughout the year. You can therefore return to the same tree in different seasons and compare leaves, flowers and fruits, without expecting to find them all at once.

Vamos experimentar?

1. Observes the photograph: draw the contour and the central nerve of the sheet.
2. The image does not show the two sides of the same sheet. Separate what you see from what the text explains on the lower face.
3. If you observe an olive tree throughout the year, record separately leaves, flowers and fruits, without taking off material.

An activity to try at your own pace, without collecting specimens.

Open a história e os seus recursos →

Sources of this proposal

• University of Évora — Virtual Museum of Biodiversity, Olea europaeaConsultation/revision: 2026-11-07
• Municipality — landscape and vegetationConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 3 DE 3 · Travel through time

Try observing

Gondiães and Vilar de Cunhas · memory and landscape

A house with three granaries

At Casa de Chouzas, three 19th-century granaries stand alongside the manor house highlighted by the municipality. The group connects two functions: living and storing the harvest. Rather than looking only at the main house, it is worth recognising the importance of buildings supporting agriculture. The introduction to Vilar de Cunhas places this heritage in a landscape of plateau and mountain, shaped by farming and pastoralism. House and granaries can be read in that working context, although the source does not detail each property’s production. The house’s dating is less firm: the municipality presents it as perhaps 19th-century, while assigning the granaries to the 19th century. That difference should remain visible. The photograph accompanying the reading shows the portal, not the three granaries. The heritage reference does not confirm access to the group.

Vamos experimentar?

1. Look at the photo of the portal and list only the elements you can see.
2. Compared to the three granaries mentioned in the text: what depends on the written description?
3. Imagine a caption that distinguishes the frame of the photograph from the remaining patrimonial set.

An activity to try at your own pace, without collecting specimens.

Open a história e os seus recursos →

Sources of this proposal

• Municipality — Gondiães e Vilar de Cunhas, landscape, heritage and craftsConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.