A notebook.
Your findings.

Up to six proposals of Cabeceiras, in your own order, to do it at home, in company or on a break.

3 de 6 propostas escolhidas · faça-as ao seu ritmo.

PROPOSTA 1 DE 3 · Between rivers and mountains

Try observing

Landscape · Abadim

Follow the water’s path

The Levada de Víbora connects the water’s path with the work of milling. The municipal description of PR1 CBC links its start beside the Oural dam in Abadim to the Moinhos de Rei, woodland and small waterways. It also highlights the village and viewpoint of Porto d’Olho and the Víbora leisure park. The destination is only part of the appeal: the channel helps explain how water was directed and used. To choose the walk, consult the trail profile and compare distance and difficulty; this story does not replace up-to-date information about the route’s condition.

Vamos experimentar?

1. Before leaving, compare the track record with another walk available on the site.
2. If you walk the path, observe from a safe point the relationship between the channel and the relief, without leaving the route.
3. In a later design, it distinguishes the water that flows naturally from the water that is driven by the lead.

An activity to try at your own pace, without collecting specimens.

Open a história e os seus recursos →

Sources of this proposal

• Municipality — Trilho da Levada de Víbora, PR1 BCCConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 2 DE 3 · Crafts and memories

Compare two portraits of Faia

Faia · sacred art, 2025

Roots and light renew a chapel

Olive-tree roots shaped the new altar and ambo in the chapel of Nossa Senhora do Amparo. The Archdiocese of Braga’s report of 6 October 2025 attributes the work to Atelier Amadeus and describes a refurbishment centred on the altar. A suspended cross forms part of the element called Corpo de Luz. Parish priest Rui Filipe Marques Araújo explained the lighting’s symbolism: groups of lights refer to the Trinity, the Evangelists and the Apostles. The publication also highlights the contribution of artists, technicians, workers and the community. The intervention shows heritage continuing to gain new forms and meanings; the 2025 report does not give visiting hours. The account presents the celebration, presided over by José Cordeiro, as a gathering of Faia with the communities of Arco de Baúlhe and Vila Nune. The choice of roots also receives a religious interpretation: according to the priest, transforming previously discarded material expresses renewal and redemption. This is the symbolic reading attributed to him in the report, distinct from the description of the materials. To understand the work, we can look at both layers: how it was made and the meaning given to it.

Vamos experimentar?

1. Read the history of the chapels described in 1758 and this reading about the intervention of 2025.
2. On a sheet, separate what each source describes: location and relationships with the community; materials, light and artistic creation.
3. Write down a question that remains unanswered. The old reference does not allow dating each part of the current building.

A comparison of sources to make at home; does not require access to the interior of the chapel.

Open a história e os seus recursos →

Sources of this proposal

• Archdiocese of Braga — renewal of Lady of Amparo, news of 06/10/2025Consultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 3 DE 3 · Travel through time

Try observing

Gondiães and Vilar de Cunhas · memory and landscape

A house with three granaries

At Casa de Chouzas, three 19th-century granaries stand alongside the manor house highlighted by the municipality. The group connects two functions: living and storing the harvest. Rather than looking only at the main house, it is worth recognising the importance of buildings supporting agriculture. The introduction to Vilar de Cunhas places this heritage in a landscape of plateau and mountain, shaped by farming and pastoralism. House and granaries can be read in that working context, although the source does not detail each property’s production. The house’s dating is less firm: the municipality presents it as perhaps 19th-century, while assigning the granaries to the 19th century. That difference should remain visible. The photograph accompanying the reading shows the portal, not the three granaries. The heritage reference does not confirm access to the group.

Vamos experimentar?

1. Look at the photo of the portal and list only the elements you can see.
2. Compared to the three granaries mentioned in the text: what depends on the written description?
3. Imagine a caption that distinguishes the frame of the photograph from the remaining patrimonial set.

An activity to try at your own pace, without collecting specimens.

Open a história e os seus recursos →

Sources of this proposal

• Municipality — Gondiães e Vilar de Cunhas, landscape, heritage and craftsConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.