A notebook.
Your findings.

Up to six proposals of Cabeceiras, in your own order, to do it at home, in company or on a break.

4 de 6 propostas escolhidas · faça-as ao seu ritmo.

PROPOSTA 1 DE 4 · Travel through time

Try observing

Gondiães and Vilar de Cunhas · memory and landscape

A house with three granaries

At Casa de Chouzas, three 19th-century granaries stand alongside the manor house highlighted by the municipality. The group connects two functions: living and storing the harvest. Rather than looking only at the main house, it is worth recognising the importance of buildings supporting agriculture. The introduction to Vilar de Cunhas places this heritage in a landscape of plateau and mountain, shaped by farming and pastoralism. House and granaries can be read in that working context, although the source does not detail each property’s production. The house’s dating is less firm: the municipality presents it as perhaps 19th-century, while assigning the granaries to the 19th century. That difference should remain visible. The photograph accompanying the reading shows the portal, not the three granaries. The heritage reference does not confirm access to the group.

Vamos experimentar?

1. Look at the photo of the portal and list only the elements you can see.
2. Compared to the three granaries mentioned in the text: what depends on the written description?
3. Imagine a caption that distinguishes the frame of the photograph from the remaining patrimonial set.

An activity to try at your own pace, without collecting specimens.

Open a história e os seus recursos →

Sources of this proposal

• Municipality — Gondiães e Vilar de Cunhas, landscape, heritage and craftsConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 2 DE 4 · Read the landscape through the plants

Try observing

Hillside crops · olive botany

One leaf, two sides

The municipality’s landscape description includes olive trees on the hillsides of Cabeceiras. The cultivated olive has leaves that are grey-green above and silvery-grey beneath, where hairs grow. Its small flowers have four white petals joined at the base. The fruit is the olive, an oil-rich drupe. The University of Évora’s description follows the change from green to reddish and dark shades during ripening, but also mentions forms that remain green when ripe. Colour alone does not tell the fruit’s whole story. The connection from tree to olive oil continues in the story of the Ramil oil mill. The profile distinguishes the cultivated olive from its wild form, known in Portuguese as zambujeiro. The latter is described as having smaller leaves and fruits and thorny lower branches. This comparison shows why a single feature, such as the silvery underside of a leaf, does not explain every difference. The olive is evergreen: it retains foliage throughout the year. You can therefore return to the same tree in different seasons and compare leaves, flowers and fruits, without expecting to find them all at once.

Vamos experimentar?

1. Observes the photograph: draw the contour and the central nerve of the sheet.
2. The image does not show the two sides of the same sheet. Separate what you see from what the text explains on the lower face.
3. If you observe an olive tree throughout the year, record separately leaves, flowers and fruits, without taking off material.

An activity to try at your own pace, without collecting specimens.

Open a história e os seus recursos →

Sources of this proposal

• University of Évora — Virtual Museum of Biodiversity, Olea europaeaConsultation/revision: 2026-11-07
• Municipality — landscape and vegetationConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 3 DE 4 · Crafts and memories

Watch the materials

Crafts · Bucos

Clothing for mountain life

A throw, a blanket and a capucha serve different needs: covering, warming and sheltering people working outdoors. The municipal introduction associates Bucos with Barroso woollen throws, shepherds’ capuchas and bedspreads, connecting wool with pastoral life and weaving. The same source places crafts in a daily life where nearby resources provided materials for houses, clothing and utensils. It also notes how many objects have moved from mainly practical functions to decorative uses. Looking at a piece means asking what it is made from, what it was used for and where it fits today. Casa da Lã, opened in 2012, provides a place to interpret this work. The municipal introduction highlights the opportunity to follow different tasks carried out by the Mulheres de Bucos, by appointment. There is more to see than finished pieces: the gestures and experience of the people making them are also part of this heritage. The venue profile brings together practical information to plan a visit.

See more 15 photos and details

Vamos experimentar?

1. Choose a blanket or other fabric you can observe with permission.
2. Write down material, texture and use; if you do not know the fiber, leave this information unconfirmed.
3. Compare with the pieces described in Bucos: what changes between dressing, covering a bed and decorating?

It observes from an accessible space, respecting privacy and objects.

Open a história e os seus recursos →

Sources of this proposal

• Municipality — crafts and services of the parishesConsultation/revision: 2026-11-07
• Municipality — Casa da Lã, interpretative centre in BucosConsultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.

PROPOSTA 4 DE 4 · Crafts and memories

Compare two portraits of Faia

Faia · sacred art, 2025

Roots and light renew a chapel

Olive-tree roots shaped the new altar and ambo in the chapel of Nossa Senhora do Amparo. The Archdiocese of Braga’s report of 6 October 2025 attributes the work to Atelier Amadeus and describes a refurbishment centred on the altar. A suspended cross forms part of the element called Corpo de Luz. Parish priest Rui Filipe Marques Araújo explained the lighting’s symbolism: groups of lights refer to the Trinity, the Evangelists and the Apostles. The publication also highlights the contribution of artists, technicians, workers and the community. The intervention shows heritage continuing to gain new forms and meanings; the 2025 report does not give visiting hours. The account presents the celebration, presided over by José Cordeiro, as a gathering of Faia with the communities of Arco de Baúlhe and Vila Nune. The choice of roots also receives a religious interpretation: according to the priest, transforming previously discarded material expresses renewal and redemption. This is the symbolic reading attributed to him in the report, distinct from the description of the materials. To understand the work, we can look at both layers: how it was made and the meaning given to it.

Vamos experimentar?

1. Read the history of the chapels described in 1758 and this reading about the intervention of 2025.
2. On a sheet, separate what each source describes: location and relationships with the community; materials, light and artistic creation.
3. Write down a question that remains unanswered. The old reference does not allow dating each part of the current building.

A comparison of sources to make at home; does not require access to the interior of the chapel.

Open a história e os seus recursos →

Sources of this proposal

• Archdiocese of Braga — renewal of Lady of Amparo, news of 06/10/2025Consultation/revision: 2026-11-07

My findings

An idea, a drawing or a question to go on.