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CHOICE · EXPERIMENTARY · TAKE

A notebook.
Your findings.

Up to six proposals of Cabeceiras, in your own order, to do it at home, in company or on a break.

2 de 6 propostas escolhidas · faça-as ao seu ritmo.

PROPOSTA 1 DE 2 · Travel through time

Try observing

Gondiães and Vilar de Cunhas · memory and landscape

A house with three granaries

At Casa de Chouzas, three 19th-century granaries stand alongside the manor house highlighted by the municipality. The group connects two functions: living and storing the harvest. Rather than looking only at the main house, it is worth recognising the importance of buildings supporting agriculture. The introduction to Vilar de Cunhas places this heritage in a landscape of plateau and mountain, shaped by farming and pastoralism. House and granaries can be read in that working context, although the source does not detail each property’s production. The house’s dating is less firm: the municipality presents it as perhaps 19th-century, while assigning the granaries to the 19th century. That difference should remain visible. The photograph accompanying the reading shows the portal, not the three granaries. The heritage reference does not confirm access to the group.

Vamos experimentar?

  1. Look at the photo of the portal and list only the elements you can see.
  2. Compared to the three granaries mentioned in the text: what depends on the written description?
  3. Imagine a caption that distinguishes the frame of the photograph from the remaining patrimonial set.

An activity to try at your own pace, without collecting specimens.

Open a história e os seus recursos →
Sources of this proposal

My findings

An idea, a drawing or a question to go on.

PROPOSTA 2 DE 2 · Crafts and memories

Two colors, two informations

Pedraça · object inventoried in 2015

One almude, two colours remembered

Almude L023, associated with Casa de Passo de Vides in Pedraça, was used to carry and measure wine. The 2015 record gives it a capacity of 28 litres and describes sheet zinc painted brown, with flaking paint; the original colour was blue. The capacity belongs to this inventoried piece, not to every almude. Even a layer of paint helps tell an object’s life story. The record gives a height of 55 centimetres and a diameter of 28, identifying Jacqueline Vilela Passos as its owner. External dimensions, capacity and ownership are different kinds of information: together they make the description more useful than the object’s name alone. The brown paint and traces of blue also show that a piece may have changed through use. The inventory does not date the repainting. Observing the paint reveals a change, but cannot reconstruct every episode in the almude’s life.

Almude measure photographed in the Museum’s publication about tinsmithing.
Almude measure photographed in the Museum’s publication about tinsmithing.
Source: Museu das Terras de Basto
About this photograph

Photograph date not stated. Source consulted on 2026-11-15. EXIF orientation and proportional WebP resizing; no cropping or upscaling.

Individual photographer and reuse licence not stated by the source.

Request removal or correct the photo credit

Vamos experimentar?

  1. Split a sheet between the original color and the color described in the inventory.
  2. Write down on each side the color indicated by the source.
  3. Adds a question that the text does not answer, such as the date the object was repainted.

Reading exercise of a historical description; it is not a restoration proposal.

Open a história e os seus recursos →
Sources of this proposal

My findings

An idea, a drawing or a question to go on.

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